Saskia and I were delighted last week to receive the first copies of our latest edited book, published by Ashgate.  Creative Economies, Creative Communities came out of a conference session that we organised at the Royal Geographical Society in August 2013 called ‘New Frontiers of connecting communities in the creative economy’ (we blogged about this at the time).

The subtitle of the book is ‘rethinking place, policy and practice’ and is our attempt to think through the way that space and place can have a major impact on the way that the creative economy is experienced and how communities can become engaged in creative practice.  As an edited collection it has contributors from a number of different fields, including professional practitioners from Birmingham City Council.  It also contains a piece by Cultural Intermediation’s very own Dave O’Brien looking at practices of participant-led evaluation within the Some Cities photography project, which was co-funded by CI as part of our pilot of community-led commissioning.

The full contents list and contributors is below.  It’s quite an expensive book to buy. but you can get in touch with the individual authors directly to see if they’ll supply you with a pre-publication version of their chapter.

Warren S & Jones P eds. (2015) Creative economies, creative communities: rethinking place, policy & practice.  Ashgate, Farnham

  1. Introduction. Saskia Warren and Phil Jones

Section one: Creative Practice, Creating Communities

  1. Producing people: the socio-materialities of African beadwork. Shari Daya
  1. People, place and fish: Exploring the cultural ecosystem services of inshore fishing through photography. Tim G. Acott and Julie Urquhart
  1. Evaluation, photography and intermediation: connecting Birmingham’s communities. Dave O’Brien
  1. Creative place-making: where legal geography meets legal consciousness. Antonia Layard and Jane Milling

Section 2: Policy connections, creative practice

  1. Bridging gaps and localising neighbourhood provision: reflections on cultural co-design and co-production. Ginnie Wollaston and Roxanna Collins
  1. The everyday realities of digital provision and practice for rural creative economies. Liz Roberts and Leanne Townsend
  1. Libraries and museums as breeding grounds of social capital and creativity: potential and challenges in the post-socialist context. Monika Murzyn-Kupisz and Jarek Działek
  1. Cross Intermediation? Policy, creative industries and cultures across the EU. Paul Long and Steve Harding
  1. Conclusion: the place of creative policy? Phil Jones and Saskia Warren
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